Old Books
This is a blog devoted to old books and things you may find in them like illustrations, old bookmarks, or old poetry.

I also take submissions if anyone has pictures!
Ode on a Grecian Urn

By John Keats, 1820

Thou still unravished bride of quietness,
      Thou foster child of silence and slow time,
Sylvan historian, who canst thus express
      A flowery tale more sweetly than our rhyme:
What leaf-fringed legend haunts about thy shape
      Of deities or mortals, or of both,
            In Tempe or the dales of Arcady?
What men or gods are these? What maidens loath?
      What mad pursuit? What struggle to escape?
            What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
      Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endeared,
      Pipe to the spirit dities of no tone.
Fair youth, beneath the trees, thou canst not leave
      Thy song, nor ever can those trees be bare;
            Bold Lover, never, never canst thou kiss,
Though winning near the goal—-yet, do not grieve;
      She cannot fade, though thou hast not thy bliss
            Forever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
      Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unweari-ed,
      Forever piping songs forever new;
More happy love! more happy, happy love!
      Forever warm and still to be enjoyed,
            Forever panting, and forever young;
All breathing human passion far above,
      That leaves a heart high-sorrowful and cloyed,
            A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
      To what green altar, O mysterious priest,
Lead’st thou that heifer lowing at the skies,
      And all her silken flanks with garlands dressed?
What little town by river or sea shore,
      Or mountain-built with peaceful citadel,
            Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
      Will silent be; and not a soul to tell
            Why thou art desolate, can e’er return.

O Attic shape! Fair attitude! with brede
      Of marble men and maidens overwrought,
With forest branches and the trodden weed;
      Thou, silent form, dost tease us out of thought
As doth eternity. Cold Pastoral!
      When old age shall this generation waste,
            Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say’st,
      “Beauty is truth, truth beauty”—-that is all
            Ye know on earth, and all ye need to know. 

stilllifequickheart:

Jonathan Wolstenholme
Magic Books
2011
ninadedrap:

Did You Ever?
book-aesthete:

Letters on Demonology and Witchcraft, Addressed to J. G. Lockhart, Esq.  Scott, Sir Walter.  London, John Murray, 1830.  image via PBA Galleries
The book takes the form of ten letters addressed to Lockhart, the epistolary mode permitting Scott to be both conversational in tone and discursive in method. In these, Scott surveys opinions respecting demonology and witchcraft from the Old Testament period to his own day. As a child of the Enlightenment, he adopts a rigorously rational approach to his subject. Supernatural visions are attributed to ‘excited passion’, to credulity, or to physical illness. The medieval belief in demons is based on Christian ignorance of other religions, leading to the conviction that the gods of the Muslim or Pagan nations were fiends and their priests conjurers or wizards. In the post-Reformation period, the primitive state of science and predominance of mystical explanations of natural phenomena fed fear of witchcraft. In the late sixteenth and seventeenth centuries, witches were hunted with near-hysterical zeal. Examining Scottish criminal trials for witchcraft, Scott notes that the nature of evidence admissible gave free reign to accusers and left the accused no chance of escape. Prisoners were driven to confess through despair and the desire to avoid future persecution. Scott also observes that trials for witchcraft were increasingly connected with political crimes, just as in Catholic countries accusations of witchcraft and heresy went together. Advances in science and the spread of rational philosophy during the eighteenth century eventually undermined the belief in supernatural phenomena, although pockets of superstition remain. Scott’s account is amply illustrated with anecdotes and traditional tales and may be read as an anthology of uncanny stories as much as a philosophical treatise.  synopsis and further discussion via walterscott
 B-A note:  The images on the binding just tickle me.
aubade:

Abbot Handerson Thayer, from Antelopes, study folder for book Concealing Coloration in the Animal Kingdom
book-aesthete:

Poems, Third Series.  Emily Dickinson.  Boston, Roberts Brothers, 1896. First Edition.
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